A reminder of the journey
June 23, 2018
Nancy Nordenson
This past week I put back on my finger a ring I bought in Santa Fe during my first MFA residency, 13 years ago next month. I wrote about this ring in a chapter of Finding Livelihood.
I crossed the street to the Palace of the Governors. Blue, green, and burgundy blankets laid side-to-side in a row the length of a city block as if ready for a picnic if the goods don’t sell. On the blankets were pendants, necklaces, earrings, rings, guitar picks, barrettes, and broaches made of silver, copper, turquoise, coral, and lapis. Each Native American artist or artist’s representative presided over his or her wares from the head of the blanket, seated either on a chair, a low stool, or the veranda floor.
Small crowds gather at each blanket, and so patrons often wait for a turn to look down, crouch, pick up, and try on. I saw a ring but couldn’t reach it. The young woman with long black hair, seated on a stool, smiled and reached out with a long narrow stick she kept on the floor next to her. She slid one end of the stick through the ring’s opening, lifted it from its black velvet display box, and glided it dangling from the stick to my hand. I slid the ring on my finger.
“Did you make this?” I asked.
“Yes,” the woman said, and she showed me where the band bore her maker’s mark.
It was a split ring, open in the middle—for design purposes of course, but also conveniently accommodating the changing ring size of women throughout a lifetime or the month, like elastic in a pair of durable pants. On one side of the split is an oval turquoise, more blue than the earrings and with fewer veins. Along the stone’s perimeter, a hefty sterling silver band curves ever so slightly over its surface as if the stone were floating on hidden water and would bounce right up without the metal’s angled hold. The other side of the split is a vertical silver bar. Engraved in the silver bar and around the band is a zigzag design—a mountain range, the woman told me. It means journey.
Finding Livelihood: A Progress of Work and Leisure
After buying the ring, I wore it daily for years but then took it off awhile back—no reason—and put it in my drawer. Lately, though, I've been needing the reminder again of the journey. Maybe it's the book project I'm working on. Maybe it's the conversations I've recently had. Maybe it's the passage of time. So I'm wearing it again. Maybe someone reading this post needs the reminder as well.
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[Photo: taken of the mountains outside of Santa Fe.]