The person behind a book blurb: Marcus Goodyear

Part 7 in the series on the generous endorsers of Finding Livelihood.

Scroll through the full series with this link.

BONUS! Keep reading for a chance to win a copy of Finding Livelihood at The High Calling

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The final Finding Livelihood endorser I want to thank by highlighting him on this blog is Marcus Goodyear, acting Editor-in-Chief for The High Calling, a website devoted to exploring issues of faith and work. The High Calling as well as Laity Lodge are programs of the H. E. Butt Family Foundation. I’ve never met Marcus in person but he and I met online about 3 years ago when he saw a post from my blog about work-related art from The Museum of Russian Art here in Minneapolis. He sent word of the post to a colleague of his who lived near me, who then reached out to me, and the multi-layer connection was made.

I asked Marcus if we could do something different with this post compared with the others in this endorsers series. So instead of me giving a bio introduction to Marcus, he agreed to do a Q&A with me about him and his work at The High Calling and elsewhere. I love learning how people came to do what they do, and Marcus generously shares of his story here, including letting us in on his childhood career dream.

NN: When you were a child, what did you want to be when you grew up?

MG: In kindergarten I wanted to work at a car wash. I was so fascinated by the machine itself, and I wanted to be near that machine. It must have been alarming to my parents for me to have drawn a picture of myself drying the windows of somebody’s car as it left the wash. I still want to be close to the machine, but now I have a better understanding of what that means. In some ways, though, an editor is still the guy who puts the polish on what the machine spits out.

Of course, I also have the more traditional answer. I wanted to be a cartoonist, because I liked the idea of telling stories. Then I wanted to be an engineer, because I loved math and statistics. Then I was editor of the newspaper and the literary magazine, and I decided that teaching English was my future.

NN: What was your path to your current position at The High Calling?

MG: I was teaching community college and high school AP English and Literature when a friend in publishing called me about a job at the H. E. Butt Family Foundation working for Mr. Butt himself. I was feeling a little stale at the time, so I tossed an application, resume, and portfolio into the mail. A few weeks later, I was interviewing at Mr. Butt’s house and we hit it off. I remember sharing my vocational approach to teaching high school English. I said something like, "The school district hired me to teach students to write, not bring them to Christ. So if I’m not careful, an evangelical stance in my classroom can be manipulative to the students and dishonoring to my employer. This means my first task is always to honor God by honoring my employer by teaching kids to write really well.” Mr. Butt was quiet for a moment, and then said, “How did you learn this at such a young age? I spent most of my life trying to learn that.”

At the time, I didn’t know where I had learned to approach the gospel in that vocational way. Now I know that Mr. Butt himself had paved the way for me. His work through Laity Lodge and the H. E. Butt Family Foundation had percolated throughout churches in Texas where I spent many of my formative years. In a sense, his life’s work led me to The High Calling even though I didn’t know it. When I was hired, The High Calling was a very small part of my job. There seemed to be so much potential there, and gradually I spent more and more time on it.

NN: How has The High Calling changed since you first became involved?

MG: Back in 2005, The High Calling was probably 10 times smaller than it is now. Each week we published a new audio message, two related devotional articles, and reprints of devotionals written by Eugene Peterson. Shortly after I came on, I started choosing the articles for each week and helping with the audio messages. By accident we discovered that writers with a strong print platform may not have a strong online platform. The Message has sold very well as a print product, for instance, but Eugene Peterson doesn’t attract much of a digital audience. At the time, bloggers attracted the biggest audience. They understood the digital space and understood how to extend digital hospitality to their readers. Gordon Atkinson first introduced us to many of these ideas, and I still remember sketching out some strategic goals on napkins at a pub years ago. As the digital, interactive landscape has changed, expanding beyond blogs to social media, we have tried to change as well. Thus, we don’t lean nearly as much on bloggers as we used to do.

NN: What’s your vision for the future of The High Calling?

MG: Now that we have a new president, David Rogers, we are taking a look at the future of all H. E. Butt Family Foundation programs, including The High Calling. Recently, we relaunched the site to create a better mobile experience for our readers, who are mostly on mobile devices. David Rogers and several of us have been talking about the future in much more comprehensive ways than just a redesign though. Without a doubt you will see some exciting things coming out of the H. E. Butt Family Foundation in the future.

NN: When you’re not working at The High Calling, what else are you working on?

MG: My family is very involved in community theater in our home town. I try to support my kids to follow their passions. My daughter plays violin in a variety of orchestras and recital groups. My son and I work on his 4-H projects together during the fall and winter. And I help coach the local First Lego League. Our robotics team is going to nationals this year!

NN: What role does leisure have in your life? How do you re-fuel? What practices help you reflect back on meaning within ordinary events of your daily work?

MG: I like board games a lot, so I torture my family with Nerd Night. They are fairly accommodating and don’t complain too much. I also like to run, and need to do that at least three or four times a week or I go a little stir crazy.

NN: You have a book of poetry called Barbies at Communion: and Other Poems, published by T. S. Poetry Press in 2010. Tell us about the writing of that volume. Are you working on another book?

MG: Poetry has become my primary form of prayer. I still write a lot of poetry, but I have pulled back from sharing it for several years. It is hard to be fully present for my family if I’m looking to take on a second job in publishing. Instead, I have chosen to engage in local projects, performing Shakespeare with my wife, raising animals with my son, coaching robotics, and all the other things I mentioned. As much as I love writing poetry, there is no time pressure to publish poetry on a national scale. A good poem today should be a good poem in five years. Every now and then I submit to various chap book contests, and I’ve been thinking of submitting another collection somewhere. We’ll see.

Finally, here's what Marcus wrote about Finding Livelihood:

"Finding Livelihood is a breath of radical honesty for the workaday Christian. Nancy Nordenson does not fear the long dark night shift of the soul, but neither does she accept it. Her real world stories of people at work inspire and challenge at every turn."

~~~

For a chance to win a copy of Finding Livelihood, head over to The High Calling,at this link, and share where you're finding meaning in life and work this week and/or what you wanted to be when you grew up.

~~~

You can order Finding Livelihood from: 1) the publisher, Kalos Press; 2) Amazon; or 3) me (let me know if you want it signed). Also, sign up to win a free copy from Goodreads!

Finding Livelihood is also now available at Hearts & Minds Books for 20% off.

The person behind a book blurb: Gregory Wolfe

Part 6 in the series on the generous endorsers of Finding Livelihood.

Scroll through the full series with this link.

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I'm delighted to post this next installment of the Finding Livelihood endorser series in honor of Greg Wolfe. Greg is a key force behind and presence in the art-faith conversation that is so vital to cultural stewardship. He and his wife Suzanne started Image Journal in 1989. I think I'm correct in saying they started it and produced it for many years from within their own apartment and at great personal sacrifice. Today it is one of the top five literary quarterlies in terms of paid subscriptions.

In an interview posted on the Image site, Greg said this about starting the journal: "On a fairly obvious level we founded Image to show that great literature and art informed by or grappling with Judeo-Christian faith could still be made. That’s the standard rationale. But another key aspect of our approach was to push back against the near-total domination of the cultural airwaves by secondary discourse, which was (and still often is) highly politicized." Other programs spearheaded by Greg include the Glen Workshop, Image Conference and other lecture events, Milton Center Postgraduate Fellowship, and Shaw Fellowship, and finally near and dear to my heart, the MFA program in creative writing at Seattle Pacific University.

The tagline for the Glen Workshop is "a week can change your life." I first went to a Glen Workshop in 2004 after learning about it when a friend of mine gave me a couple pages from an Image essay by Annie Dillard, and not recognizing the name of the journal, I googled it and discovered the workshop and that Lauren Winner was going to be teaching a track on spiritual writing. I signed up and life indeed was never the same. It's fair to say that Greg's life work has changed my life.

Greg is the author of Beauty Will Save the World: Recovering the Human in An Ideological Age, Intruding Upon the Timeless, and Malcolm Muggeridge: A Biography, as well as several books co-authored with Suzanne Wolfe. Greg is also the editor of several anthologies, including Bearing the Mystery and God With Us.

From Beauty Will Save the World:

Art, like religious faith in general and prayer in particular has the power to help us transcend the fragmented society we inhabit. We live in a Babel of antagonistic tribes – tribes that speak only the language of race, class, rights, and ideology. That is why the intuitive language of the imagination is so vital. Reaching deep into our collective thoughts and memories, great art sneaks past our shallow prejudices and brittle opinions to remind us of the complexity and mystery of human existence. The imagination calls us to leave our personalities behind and temporarily to inhabit another's experience, looking at the world with new eyes. Art invites us to meet the Other – whether that be our neighbor or the infinite otherness of God – and to achieve a new wholeness of spirit.

You can find Greg's books on the Image site, his website, and on his Amazon page. If you haven't read anything by Greg, start with this piece in The Wall Street Journal, then dip into some online pieces from back issues of Image, then dig into Beauty Will Save the World. Consider a Glen Workshop and a subscription to Image.

Finally, here's what Greg wrote about Finding Livelihood:

"Nordenson's prose is beautifully polished, lucid, and imaginative."

~~~

You can now order Finding Livelihood from: 1) the publisher, Kalos Press; 2) Amazon; or 3) me (let me know if you want it signed). Also, sign up to win a free copy from Goodreads!

The person behind a book blurb: Emilie Griffin

Part 5 in the series on the generous endorsers of Finding Livelihood.

Scroll through the full series with this link.

When I search for Emilie Griffin’s name in the Library of Congress online catalog, 27 titles are returned, including books she’s written, contributed to, or edited. Here are just a handful of the books she’s written: Small Surrenders: A Lenten Journey; The Reflective Executive: A Spirituality of Business and Enterprise; Clinging: The Experience of Prayer;Wilderness Time: A Guide for Spiritual Retreat; and Souls in Full Sail: A Christian Spirituality for the Later Years. Her bio is more textured, however, than the titles of her books would suggest. She also had a long career as an award-winning advertising copywriter and executive in NYC. That she knows so well this intersection between spirituality and the marketplace intrigues me enormously.

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I have heard Emilie Griffin speak only once, about 10 years ago, and it made a lasting impact on me, particularly when contrasted with another event. Just a couple days before hearing her speak at a Renovaré conference, I had been to another spiritual formation-type event where the keynote speaker owned the theatrically-lit stage with her choreographed moves and dramatic memorized oratory. I went home and wrote in my journal, “Is this entertainment or content? Probably more entertainment. It discouraged me quite a bit.” In contrast, for her talk at Renovaré, Griffin stayed at the lectern and spoke in a simple style, referring to her notes. About her, I afterward wrote in my journal, “she was marvelous…and said so many wonderfully rich things.” Authenticity and depth win, in my opinion.

After hearing Griffin speak, I bought The Reflective Executive at the book table and found a kindred spirit. It was the first book I had seen about spirituality in the marketplace. Here’s an excerpt:

"God is here! He is actually present! It is not beneath him to dwell on the Staten Island ferry, heading for Lower Manhattan. He is willing to descend with us into the underground chambers of the subway, to be with us in discomfort, boredom, alienation. He accompanies us to the boardroom. He attends the year-end meeting. In the community formed by us, by colleagues, by purchasers, buyers and sellers, customers satisfied and unsatisfied, he is present, bearing our sorrows, acquainted with grief.

What a contrast to our common way of thinking: that business, which is by its very nature materialistic, somehow has to be spiritualized. The reality is otherwise. It is our mistake to think that we will somehow take business, which is unholy, and by some sacrifice or offering, make it holy. That tragic mistake is the crucial error we must expose. To correct this false notion we need not only action but contemplation.

Contemplation is the radical work of the marketplace. Reflection is our passage to reality, to a new understanding, a different consciousness. In reality it is God, not we, who initiates the transformation of the world. We are here not to transform but to be transformed, to accept the changes that grace will bring about.”

Emilie is also a retreat leader, editor, and playwright, and a founding member of the Chrysostom Society. Treat yourself to a couple of her titles here at her Amazon page, and read a fuller – although outdated – bio of Emilie here.

Finally, here's what Emilie wrote about Finding Livelihood:

"Finding Livelihood is deeply felt and deeply satisfying to the reader. Nordenson grapples with hard questions and avoids easy answers. Of work itself she writes: “You take the first steps in a state of delight, equipped with skill or talent, ready to make a difference. But the path is never straight, and it takes you through places you never envisioned.” Nordenson's book is practical, powerful, and rooted in biblical wisdom and the wisest thought of the Western tradition. With a light step, and gratitude, Nordenson teaches us to deal with jagged changes and ugly surprises, “to live and work in the flow of God's love.”

~~~

You can now pre-order Finding Livelihood from: 1) the publisher, Kalos Press; 2) Amazon; or 3) me (ask if you want it signed). Ordered books will be mailed on release date of April 15, 2015 - tax day!

The person behind a book blurb: Paula Huston

Part 4 in the series on the generous endorsers of Finding Livelihood.

Scroll through the full series with this link.

A vivid image I have of Paula Huston is her standing on a stage in a full auditorium. It was during the last time slot of Festival of Faith and Writing at Calvin College in 2012. She was delivering a talk on spiritual disciplines for writers, and she was doing so in a whisper. Paula was sick and her voice had left. She could have cancelled.; she could have complained; she could have cut her talk short. But she did none of those things, and her audience was too enthralled with what she was saying to let it interfere with ending the conference on a high note. No one fidgeted, no one left early. She whispered her way through justice and humility, hope and prudence, love and fortitude.

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Paula Huston is a writer of both nonfiction and fiction – her latest book is a novel, A Land Without Sin – but she is perhaps best known for her large body of work on spiritual practice. The Holy Way: Practices for a Simple Lifecame out in 2003, and on its pages Huston leads the reader into the practices of solitude, silence, awareness, purity, devotion, right livelihood, confidence, integrity, generosity, and tranquility. If you decide to take this journey with her, you can be assured she won't lead you on any path she herself hasn't already traveled. That she has assimilated these practices in her own life makes her a reliable guide; that she is honest and vulnerable about her experiences makes her a safe and welcoming guide. A friend of mine recently told me that this single book changed her life.

A book of Paula's that I have newly appreciated now that I'm more than midway through my 50s is A Season of Mystery: 10 Spiritual Practices for Embracing a Happier Second Half of Life. What a joy it was to read that Delighting, Generating, and Blessing are practices particularly suited to this stage of life! And earlier on this blog, I wrote that I've been using her Simplifying the Soul: Lenten Practices to Renew Your Spiritfor Lent this year. Even though I've missed a few days, I can see that it hits its mark as a kind of spiritual recalibration.

I first met Paula at a Glen workshop; I was there for my first MFA residency and she was there leading a Glen writing group. I bought The Holy Way that summer and she signed it, "with my best wishes for your work," and I am so thrilled that years later the cover of Finding Livelihood carries her blurb. Paula now teaches in the Seattle Pacific MFA program. There is a graciousness and peace that seems to travel with her as she moves and interacts with people. It's easy to observe.

Here's a video of Paula talking about the act of writing. It's a revealing look inside what happens at her writing desk. You can find all her books on her website or here on her Amazon page. Enjoy!

Finally, here's what Paula wrote about Finding Livelihood:

"Written with a rare wit and elegance,  Finding Livelihood  offers a profound, often surprising reflection on the necessity of earning our daily bread. This fine new collection by Nancy Nordenson, which gathers under one cover such unlikely bedfellows as venipuncture, a flute-playing cabbie, and the prudent way to unpack Russian icons, includes some of the best essays I’ve read in years."

~~~

You can now pre-order Finding Livelihood from: 1) the publisher, Kalos Press; 2) Amazon; or 3) me (ask if you want it signed). Ordered books will be mailed on release date of April 15, 2015 - tax day!

[Photo: Paula Huston, used with permission.]

The person behind a book blurb: Leslie Leyland Fields

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Next up in this series about the generous individuals who wrote endorsements for Finding Livelihood is Leslie Leyland Fields.

When I first met Leslie, she was unlike any other woman I'd ever met. She was a salmon fisherwoman yet glamorous; she lived on an island off the coast of Alaska but flew in and out on small propeller planes en route all over the U.S. as nonchalantly as I got in my car to drive from Minneapolis to St. Paul; she was articulate not only on the page but also on a stage; she was a woman of deep faith who held in her hands both pain and joy as she wrote; she believed deeply that what she wrote mattered and made those of us whom she mentored in graduate school believe it of our own work too.

I had read her memoir, Surviving the Island of Grace: A Memoir of Alaska, before meeting her. Her story of transitioning from a girl from New Hampshire to a woman of the wilderness, and the way she wrote it, had already given me some clue that this was no ordinary woman. This single paragraph about mending the fishing nets communicates so much about Leslie: her sense of place - on the edge of the ocean, surrounded by mountains; her love of words, words that speak truth, words offered in community; her care for what she's been given to work with; her honor and respect for those with whom she serves; the presence of beauty.

"This was where we unraveled the rest of our lives, it seemed, even as we sewed up the holes in the nets. There was something about this space, about standing out there on the beach under the open sky – the  clouds or sun, mountains on every horizon, though it was ocean all the way to the edge. The walls were gone, how could there be a larger space to stand in, and yet, it became a sort of confessional. This was where we could speak the deepest truths to one another. Under all that sky, with nothing here to remind us of our other lives, whatever other roles and jobs we worked at during the year, wherever we had been, it was worlds away, and only conjured up by language. We knew the rest of each others' lives only through those words"

Since Surviving the Island of Grace, Leslie has written three other books: Forgiving Our Fathers and Mothers (Thomas Nelson, 2014); Parenting Is Your Highest Calling and 8 Other Myths that Trap Us in Worry and Guilt (WaterBrook Press, 2008), which I wrote about previously on this blog; and Surprise Child: Finding Hope in Unexpected Pregnancy (WaterBrook Press, 2006), which I also wrote about, here. She has also edited several anthologies, including The Spirit of Food: 34 Writers on Feasting and Fasting Toward God. You can find these books and more on her Amazon page. You can read her blog, which she posts to weekly, here. Her essays have appeared in The Atlantic, Christianity Today, Image, Orion, and more, and even with all her writing and fishing, she continues to fly in and out of her Alaskan island to speak all around the country.

Recently, Leslie has started a summer Harvester Island Writing Workshop. Here's a video slideshow of last year's workshop. Applications are now being accepted for the 2015 session - think about it!

Here's what Leslie wrote about Finding Livelihood:

"In this extraordinary new book, Nordenson asks what we all want to know: Can our daily workplace grind really become our daily God-blessed bread? (My personal question: Can cleaning fishing nets of rotting jellyfish really be redeeming work?) Nancy answers an unequivocal "yes"! Through layered eloquent prose and her own vast experience, she offers us real ways of finding astonishment and transcendence even in the most stultifying jobs. This book is a revelation. It goes with me to my fishing camp."

~~~

[Photo: Leslie Leyland Fields, used with permission.]

The person behind a book blurb: Bret Lott

Bret Lott is the next endorser I'll focus on in this series that I started last week with Luci Shaw. Bret is the author of 14 books, both literary fiction and nonfiction, the former editor of The Southern Review, and professor of English at The College of Charleston. While I've briefly met Bret a couple times, I don't personally know him. He started teaching in the SPU MFA program the year I graduated. Fortunately, though, I had the opportunity to hear him speak as a guest faculty lecturer and as the keynote speaker at a Glen Workshop. Since I don't know him, it speaks all the more highly of his generosity and kindness that he would read my manuscript, particularly over the busy Christmas season, and offer his good word about it.

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My first reading of Lott's work was Jewel, the 1991 novel that became an Oprah Book Club selection. Actually, I didn't read it; I listened to it as an audiobook when driving alone one gray day from Minneapolis to Chicago. I remember sitting in my car at a rest stop, tears on my cheek, listening through to a chapter's end. Since that reading/listening experience, I've come to learn more about Bret Lott, and, importantly, to learn from him about writing and how to be a writer of faith. He cares passionately about writing with integrity: integrity in the use of words; integrity in the way words are used in the context of faith and art; integrity in terms of whether the end result of the words will be a blessing to the reader. Read his books on writing – Letters and Life: On Being A Writer, On Being a Christian and Before We Get Started – and it's not hard to feel the energy of that integrity.

It's interesting to find that Bret's writing rubs up so often against the topic of work, as in labor and jobs. It's one reason I reached out to him to consider endorsing Finding Livelihood. His father was a working man – worked "for Nehi, for RC Cola, for the food brokerage" – who always showed "his children, the importance of doing our best, and the proof of that labor: his provision for our family." In Letters and Life, Lott writes: "So is it at all a surprise that the first book I ever wrote, my first novel, was about an RC Cola salesman who finds a kind of solace in his work, and that throughout all I have written there runs a thread of salesmen, and cashiers at grocery stores, and firemen and plumbers and work and work and work?" As he makes clear, writing is the work given to him; I'll add that he does that work superbly.

Here are some passages I commend to you from Letters and Life and Before We Get Started:

"Here is our truest beginning point of an understanding of the creation of art by the Christian: the created world has a moral order to which we must submit, and through that submission and only through that submission will harmony and beauty and truth even begin to be approached by us who profess to practice art. Further, we do not commit art in a vacuum but are a part of society—of humanity—at large, and therefore we indeed have a role in that society, a role that can and will contribute to the harmonization of human activity at large. We have been blessed to be a blessing." (from Letters and Life)

 

"And then, in the writer’s answer to whatever has called him to write, and in his willingness to look at each word with fear and trepidation coupled with faith that speaking it will be an act in obedience to what has called him to speak it, those words will line up, will breathe, will become the vast army of sentences that will take up residence in the new Israel every story, novel, essay, and poem ought to be." (From Before We Get Started)

You can learn more about – and from – Bret in this video interview with John Wilson, editor of Books and Culture, filmed after the publication of Letters and Life. Towards the beginning of the interview, they talk about the theme of work that shows up in his writing.

 I hope you'll visit Bret's author page on Amazon and pick out something wonderful to read!

Finally, here's what Bret wrote about Finding Livelihood:

"This is an absolutely timely book, and an absolutely beautiful one too. Ms. Nordenson examines what it means to work, and does so in a lyrical, practical, moving, and spirit-filled way. In giving us her personal stories and universal observations, we are given as well the means by which, in these difficult days, to make sense of what it means to work. I like this book a lot for its voice and vision, and especially for its hope."

~~~

[Photo: Bret Lott, used with permission.]

The person behind a book blurb: Luci Shaw

Today I'm starting a series on this blog where, over the next 8 weeks or so, I'll shine the spotlight on the generous individuals who have written an endorsement, aka blurb, for Finding Livelihood. First up, Luci Shaw.

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Luci Shaw is a poet, author, and essayist who has written or contributed to scores of books; her website lists at least 30. I first became aware of Luci after discovering Petoskey stones in the mid-1990s. My family and I had been camping along the shore in Petoskey, Michigan, and I heard people talking about the stones that miraculously change appearance when wet, and, even more so, when polished. While the stones look like ordinary gray rock when dry, dip them in water or polish them and watch their true identity of fossilized coral emerge. I was quickly hooked on the search for them and came home with a nice collection. Shortly afterward, I heard someone mention Luci's poetry collection, Polishing the Petoskey Stone, and I bought a copy right away.

 

An excerpt from her poem, "Polishing the Petoskey Stone":

My friend says, "Spit on it, and rub
the surface. See the pattern?"
In its hammock of line, I lift the pebble
the color of a rain cloud, cradle it
a thousand miles. Holding

the steering wheel in one hand, the grey
oval curved to my other palm, we move
a ripple across the map to Kansas, while
I rub its softness in ellipses
against a rough shore of denim and wool.

Luci Shaw is an adventurer and a naturalist. She is a risk-taker. She is a thinker and a doer, ever committed to the integration of art and faith. She is also an encourager in the most active sense; she is continually fanning the flames of or giving a push to those coming up behind her. In fact, she funds an annual summer-long scholarship at Image journal to "expose a promising undergraduate student to the world of literary publishing and the nonprofit arts organization ... and the dialogue about art and faith."

Since the time of the Petoskey stones, I have had the deep privilege of getting to know Luci, a development for which I'm most grateful, through the Glen Workshops and the SPU MFA program, where she served as a chaplain for several residencies. All those years ago, after camping at the Petoskey shore, I followed her example of rubbing a stone on my jeans while driving to coax out the coral's shine. Now she is to me a role model for writing and for living.

From her book Breath for the Bones: Art, Imagination, and Spirit:

The Almighty, in his intimate immanence and inscrutable otherness, who dwells in swift light and thick darkness, who administers tender love and implacable wrath, is mirrored in the profundities of philosophy and science, the fathomless ocean of ideas and words wrapped in mystery, the patterns of order observable in the deep forest, the wide wasteland. God is the Lord of creation. He is infinite, but in the finite creation, we may spy out his footprints.

A Glen Workshop week traditionally ends with an anointing service. A hands-on blessing is given to those who have been there working on their writing, their photography, their painting or sculpture. A precious memory I have is Luci streaking oil on my forehead in the shape of a cross. Having her endorsement on this new book feels like a continuation of that moment.

Luci's most recent books are Adventure of Ascent: Field Notes from a Lifelong Journey and Scape: Poems. She is a writer in residence at Regent College in British Columbia. Visit her website at: www.lucishaw.com.

Here's what Luci Shaw wrote about Finding Livelihood:

"Nordenson describes wrestling with work as with a large force that wants to have its way with you, even as you want to have your way with it. This wrestling, sinewy and particular as its wrestler, enlarges us as we read our way into her life with its incisive insights and explorations. Can one wrestle meditatively? This author has learned the art and we are the benefactors."

~~~

[Photo: Luci Shaw, used with permission.]